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Vision

vision, physiological sense of sight by which the form, color, size, movements, and distance of objects are perceived.

Vision in Humans

The human eye functions somewhat like a camera; that is, it receives and focuses light upon a photosensitive receiver, the retina. The light rays are bent and brought to focus as they pass through the cornea and the lens. The shape of the lens can be changed by the action of the ciliary muscles so that clear images of objects at different distances and of moving objects are formed on the retina. This ability to focus objects at varying distances is known as accommodation.

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REFERENCES

  • Arnheim, Rudolf, Visual Thinking, Berkeley: University of California Press, 1969.
  • Crary, Jonathan, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century, Cambridge, Massachusetts: MIT Press, 1990.
  • Edgerton, Samuel Y., The Heritage of Giotto's Geometry: Art and Science on the Eve of the Scientific Revolution, Ithaca, New York: Cornell University Press, 1991.
  • Foucault, Michel, Madness and Civilization: A History of Insanity in the Age of Reason, translated from the French by Richard Howard (abridged edition), New York: Pantheon Books, 1965, London: Tavistock, 1967(original edition, 1961).
  • Foucault, Michel, The Order of Things: An Archaeology of the Human Sciences, translated from the French by Alan Sheridan, New York: Pantheon Books, and London: Tavistock, 1970(original edition, 1966).

From Credo

  • Foucault, Michel, The Birth of the Clinic: An Archaeology of Medical Perception, translated from the French by A.M. Sheridan Smith, New York: Pantheon Books, and London: Tavistock, 1973(original edition, 1963).
  • Gombrich, Ernst H., Art and Illusion: A Study in the Psychology of Pictorial Representation, New York: Pantheon Books, 1960; 5th edition, London: Phaidon, 1977.
  • Hanson, Norwood Russell, Patterns of Discovery: An Inquiry into the Conceptual Foundations of Science, Cambridge: Cambridge University Press, 1958.
  • Ivins, Jr William M., Art and Geometry: A Study in Space Intuitions, Cambridge, Massachusetts: Harvard University Press, 1946.
  • Jay, Martin, Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought, Berkeley: University of California Press, 1994.
  • Kemp, Martin, The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat, New Haven, Connecticut: Yale University Press, 1990.
  • Kuhn, Thomas S., The Structure of Scientific Revolutions, Chicago: University of Chicago Press, 1962; revised edition, 1970.
  • Levin, David Michael (ed.), Modernity and the Hegemony of Vision, Berkeley: University of California Press, 1993.
  • Miller, Arthur I., Imagery in Scientific Thought: Creating Twentieth Century Physics, Boston: Birkhäuser, 1984.
  • Pastore, Nicholas, Selective History of Theories of Visual Perception, 1650-1950, Oxford and New York: Oxford University Press, 1971.
  • Stafford, Barbara Maria, Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine, Cambridge, Massachusetts: MIT Press, 1991.
  • Stafford, Barbara Maria, Artful Science: Enlightenment, Entertainment, and the Eclipse of Visual Education, Cambridge, Massachusetts: MIT Press, 1994.
  • Turner, R. Steven, In the Eye's Mind: Vision and the Helmholtz-Hering Controversy, Princeton, New Jersey: Princeton University Press, 1994.
  • Vitz, Paul C.; Arnold B. Glimcher, Modern Art and Modern Science: The Parallel Analysis of Vision, New York: Praeger, 1984.