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Expressionism

expressionism, term used to describe works of art and literature in which the representation of reality is distorted to communicate an inner vision. The expressionist transforms nature rather than imitates it.

In Art

In painting and the graphic arts, certain movements such as the Brücke (1905), Blaue Reiter (1911), and new objectivity (1920s) are described as expressionist. In a broader sense the term also applies to certain artists who worked independent of recognized schools or movements, e.g., Rouault, Soutine, and Vlaminck in France and Kokoschka and Schiele in Austria—all of whom made aggressively executed, personal, and often visionary paintings. Gauguin, Ensor, Van Gogh, and Munch were the spiritual fathers of the 20th-century expressionist movements, and certain earlier artists, notably El Greco, Grünewald, and Goya exhibit striking parallels to modern expressionistic sensibility. See articles on individuals, e.g., Ensor.

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IMAGES FROM CREDO

Vincent van Gogh's Starry Night (1889) is an...The Turkish Jeweller
Zoological Garden I, 1912In the Rain, 1912

REFERENCES

  • Anz, Thomas; Michael Stark, editors, Expressionismus: Manifeste und Dokumente zur deutschen Literatur 1910-1920, Stuttgart: Metzler, 1981.
  • Behr, Shulamith, et al., editors, Expressionism Reassessed, Manchester and New York: Manchester University Press, 1993.
  • Brinkmann, Richard, Expressionismus: Internationale Forschung zu einem internationalen Phänomen, Stuttgart: Metzler, 1980.
  • Bronner, Stephen Eric; Douglas Kellner, editors, Passion and Rebellion: The Expressionist Heritage, London: Croom Helm, 1981; South Hadley, Massachusetts: Bergin, 1983.
  • Cardinal, Roger, Expressionism, London: Paladin Books, 1984.

From Credo

  • Dierick, Augustinus Petrus, German Expressionist Prose: Theory and Practice, Toronto and Buffalo, New York: University of Toronto Press, 1987.
  • Diethe, Carol, Aspects of Distorted Sexual Attitudes in German Expressionist Drama with Particular Reference to Wedekind, Kokoschka, and Kaiser, New York: Lang, 1988.
  • Jones, M. S., Der Sturm: A Focus of Expressionism, Columbia, South Carolina: Camden House, 1984.
  • Keith-Smith, Brian, editor, German Expressionism in the United Kingdom and Ireland, Bristol: University of Bristol, 1986.
  • Krull, Wilhelm, Prosa des Expressionismus, Stuttgart: Metzler, 1984.
  • Kuhns, David F., German Expressionist Theatre: The Actor and the Stage, Cambridge and New York: Cambridge University Press, 1997.
  • Paulsen, Wolfgang, Deutsche Literatur des Expressionismus, Bern and New York: H. Lang, 1983.
  • Raabe, Paul; Ingrid Hannich-Bode, Die Autoren und Bücher des literarischen Expressionismus: Ein bibliographisches Handbuch, Stuttgart: Metzler, 1985; 2nd edition, 1991.
  • Rumold, Rainer; O. K. Werckmeister, editors, The Ideological Crisis of Expressionism: The Literary and Artistic German War Colony in Belgium 1914-1918, Columbia, South Carolina: Camden House, 1990.
  • Sheppard, Richard, editor, Expressionism in Focus, Blairgowrie: Lochee, 1987.
  • Stark, Michael, Für und wider den Expressionismus: Die Entstehung der Intellektuellendebatte in der deutschen Literaturgeschichte, Stuttgart: Metzler, 1982.
  • Taylor, Seth, Left-Wing Nietzscheans: The Politics of German Expressionism, 1910-1920, Berlin and New York: de Gruyter, 1990.
  • Waller, Christopher, Expressionist Poetry and Its Critics, London and Atlantic Highlands, New Jersey: Institute of Germanic Studies, University of London, 1986.
  • Zeller, Bernhard; Paul Raabe; H. L. Greve, editors, Expressionismus, Literatur und Kunst, 1910-1923, Munich: Langen-Müller, 1960.