His melodic inventiveness, expressed with uninhibited tone and range on the trumpet, established the central role of the improvising soloist in jazz, especially in a series of recordings known as the ‘Hot Fives’ and ‘Hot Sevens’ (1925–8). Thereafter, every jazz musician emulated Armstrong’s melodic style and rhythmic sense. In 1930 his recording of the pop song ‘Ain’t Misbehavin’’ became his first show-business hit, and for the next 17 years he appeared as a star soloist with various big bands in an increasingly commercial context. In 1947 he formed his All Stars, a Dixieland-style sextet with which he maintained a constant international touring schedule until his death.
He appeared in over 50 films as a musician and entertainer, including Pennies from Heaven (1936), New Orleans (1947), Cabin in the Sky (1943), High Society (1956), Paris Blues (1961), and Hello, Dolly! (1969). He was also a popular singer, his hit recordings including ‘When It’s Sleepy Time Down South’, ‘Mack the Knife’, and ‘Hello Dolly!’ , but he remained primarily a jazz musician. His autobiography, Satchmo: My Life in New Orleans, was published in 1954.
See also New Orleans, Oliver, King, improvisation, jazz, scat singing, trumpet.
Major works:Albums (
1951)
Satchmo At Symphony Hall (
1955)
Satch Plays Fats 1956-7 Satchmo: A Musical Autobiography
(
1956)
Embassador SatchSingles When It’s Sleepy Time Down South
(
1956)
Bluebery Hill (
1956)
Mack The Knife (
1964)
Hello, Dolly!Films (
1936)
Pennies From Heaven (
1943)
Cabin In the Sky (
1947)
New Orleans (
1956)
High Society (
1961)
Paris Blues (
1969)
Hello, Dolly!